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Stage Fright
Modernism, Anti-Theatricality, and Drama

Martin Puchner

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The Aesthetics of the Total Artwork
On Borders and Fragments

edited by Anke Finger and Danielle Follett

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Being and Becoming Visible
Women, Performance, and Visual Culture

edited by Olga M. Mesropova and Stacey Weber-Fève

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Cinematic Illuminations
The Middle Ages on Film

Laurie A. Finke and Martin B. Shichtman

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Unless the Threat of Death Is Behind Them
Hard-Boiled Fiction and Film Noir

John T. Irwin

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Women Filmmakers in Early Hollywood

Karen Ward Mahar

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The Return of Ulysses
A Cultural History of Homer's Odyssey

Edith Hall

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Estrangement and the Somatics of Literature
Tolstoy, Shklovsky, Brecht

Douglas Robinson

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Film Adaptation and Its Discontents
From Gone with the Wind to The Passion of the Christ

Thomas Leitch

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The Third Citizen
Shakespeare's Theater and the Early Modern House of Commons

Oliver Arnold

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Framing Attention
Windows on Modern German Culture

Lutz Koepnick

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Tragedy Walks the Streets
The French Revolution in the Making of Modern Drama

Matthew S. Buckley

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Blackout
World War II and the Origins of Film Noir

Sheri Chinen Biesen

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Essential Cinema
On the Necessity of Film Canons

Jonathan Rosenbaum

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Fritz Lang
Genre and Representation in His American Films

Reynold Humphries

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From Traveling Show to Vaudeville
Theatrical Spectacle in America, 1830–1910

edited by Robert M. Lewis

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Five Comedies from the Italian Renaissance

translated and edited by Laura Giannetti and Guido Ruggiero

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After Fellini
National Cinema in the Postmodern Age

Millicent Marcus

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Becoming Criminal
Transversal Performance and Cultural Dissidence in Early Modern England

Bryan Reynolds

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Passionate Views
Film, Cognition, and Emotion

edited by Carl Plantinga and Greg M. Smith

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