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Katherine Binhammer answers questions about her new book Downward Mobility: The Form of Capital and the Sentimental Novel. Your book on downward mobility in eighteenth-century literature was published right before a pandemic-induced recession. How might...

Among the most powerful artifacts I know of early American women’s work isn’t an artifact at all. It is the darkened wood around some eighteenth-century flooring, shown to me many years ago now by an architectural conservator at work in the Porter-Phelps...