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Any college-level science holding and many a history collection will appreciate the multi-facted coverage.
Clandestine Marriage is a veritable encyclopedia of botany in the Romantic period, a book that not only discovers, enumerates, and illuminates key details and facts but also crafts a truly amazing argument: that the literary, aesthetic, philosophical, and scientific disruptions of the Romantic period were shaped and paralleled by the ways in which plants were seen to disrupt the kingdom of nature. Clandestine Marriage opens up new avenues for thinking, reading, and writing about a variety of Romantic texts, and it should be of interest to anyone studying Romanticism and the nineteenth century.
Clandestine Marriage makes an important contribution to our understanding of the essential role that plants played in the conceptual transformation of nature as a place where taxonomic hegemony reigned to one complicated by chance and contingency. More than this, Kelley’s focus on plants as both insistently 'idea' and 'material' furthers the conversationabout why plants—as plants—mattered so much to so many for so long.
Kelley begins with Linnaeus, and develops the clandestine marriage theme, passes through Erasmus Darwin and the 'rustic' poet John Clare with a fascinating side trip into women botanists of the 19th century, journeys to India in the days of the Raj, then ends up with Percy Bysshe Shelley by way of Goethe and Hegel and the quite wonderful Orchidaceae of Mexico and Guatemala. At first sight a seemingly unconnected set of points, but Kelley weaves a compelling tale of interconnection, all underpinned by the way people saw and used plants in diverse and creative ways.
Kelley's comprehensive survey of the riches of Romantic botany and botanizing is a book that helps to shape our understanding of the sources of our own current thinking and the distances that thinking has traveled from the pagan cosmology of Erasmus Darwin.
Kelley’s expertly rendered Clandestine Marriage provides a powerful and nuanced examination of the material and figurative presence of plants in the romantic era. Kelley argues that the 'unruliness' of romantic plants, which 'resist or exceed conceptual location,' raised difficult questions about the individual and collective identities and challenged the 'epistemological mastery' of nature promised by Enlightenment-era classificatory systems. This unruly 'nature of romantic nature,' as Kelley demonstrates, can best be determined by examining the 'productive friction' generated by organizing categories—of matter, species, cultural material, and poetic figuration—coming under question and into conflict.
Clandestine Marriage is the first book-length study of botany in the Romantic era. It offers a fascinating view of botany as a transgessive discourse that crossed epistemic boundaries of all sorts.
This is a very erudite and provocative thesis.
This book is meticulously researched and it exceptionally well illustrated, with three ample gatherings of botanical art that help to inform Kelley's discussion. Clandestine Marriage is an intellectually rigorous and well-conceived scholarly contribution both to the study of botanical history and to the study of Romantic-era literature. Readers interested in the confluence of these areas of study will find Kelley's book especially intriguing.
[Clandestine Marriage] is a fine work, a superb contribution to the study of the Romantic period and the relationship between botany and literature. In its deep commitment to historical understanding and to close reading, capturing the figural play occasioned by the material nature of plants and their culture, Kelley's Clandestine Marriage provides a unique account of complex stirrings that lie just below the surface of the Romantic love of plants.
Clandestine Marriage is an engaging and intelligent work, made all the more superb by the vibrant botanical illustrations that populate it. It also strikes an excellent balance between literary analysis, historical investigations, and theoretical discussions, no easy feat to achieve.
Richly documented and deeply researched, Clandestine Marriage displays a wide conversancy with literary criticism and the history of science, recognizing the ways in which the meaning of plants regularly exceeds or disrupts the conceptual categories in which they are placed or found.
About
Book Details
Publication Date
Status
Available
Trim Size
6.125
x 9.25
Pages
400
ISBN
9781421405179
Illustration Description
49 color illus.
Table of Contents
List of Illustrations
Acknowledgments
1. Introduction
2. Botanical Matters
3. Botany's Publics and Privates
4. Botanizing Women
5. Clare's Commonable Plants
Interlude One: Mala's Garden
6. Reading Matter and
List of Illustrations
Acknowledgments
1. Introduction
2. Botanical Matters
3. Botany's Publics and Privates
4. Botanizing Women
5. Clare's Commonable Plants
Interlude One: Mala's Garden
6. Reading Matter and Paint
Interlude Two: A Romantic Garden
7. Restless Romantic Plants and Philosophers
8. Conclusion
Notes
Bibliography
Index
Resources
