Reviews
In this extraordinary enterprise, Cathy Caruth achieves what is by definition an impossibility: making familiar the unfamiliar country of trauma, the place of displacement par excellence; the lieu of an ‘erasure’, as Dori Laub would say, where language is at a loss and a new language struggles to be heard, thanks to the construction of a new channel created by the very act and presence of a totally committed listening.
In this extraordinary enterprise, Cathy Caruth achieves what is by definition an impossibility: making familiar the unfamiliar country of trauma, the place of displacement par excellence; the lieu of an ‘erasure’, as Dori Laub would say, where language is at a loss and a new language struggles to be heard, thanks to the construction of a new channel created by the very act and presence of a totally committed listening.
The poet William Stafford wrote that 'the authentic is a line from one thing along to the next... it holds together something more than the world, this line.' Cathy Caruth has followed a line of thought and feeling in these interviews that is breathtaking in its intelligence, vulnerability and authenticity. Her goal, beautifully realized, is to 'hold together trauma and testimony.' Stafford ends with: 'Are you coming? Good: now it is time.' It is indeed.
Cathy Caruth is one of the key founders of cultural trauma theory: her books have been indispensable. This collection of interviews shows how for twenty-five years Caruth's groundbreaking work has been established in dialogue with other key figures across the fields of holocaust studies, psychology, psychoanalysis, sociology and memory studies. This book once more enacts Caruth's central lesson: that responses to trauma are best forged in the ethical act of listening to others.
Book Details
Foreword
Acknowledgements
Introduction: Learning to Listen
Part I: Death in Theory
1. Giving Death Its Due: An Interview with Robert Jay Lifton (June 8, 1990, New York, New York)
2. Traumatic Temporality
Foreword
Acknowledgements
Introduction: Learning to Listen
Part I: Death in Theory
1. Giving Death Its Due: An Interview with Robert Jay Lifton (June 8, 1990, New York, New York)
2. Traumatic Temporality: An Interview with Jean Laplanche (October 23, 1994, Paris, France)
3. A Record That Has Yet to Be Made: An Interview with Dori Laub (June 15–16, 2013, Woodbury, Connecticut)
4. Mad Witnesses: A Conversation with Françoise Davoine andJean-Max Gaudillière (May 18, 2012, Burgundy, France)
Part II: A Revolutionary Act
5. The AIDS Crisis Is Not Over: A Conversation with Gregg Bordowitz,Douglas Crimp, and Laura Pinsky. Conducted with Thomas Keenan (September 25, 1991, New York, New York)
6. The Politics of Trauma: A Conversation with Judith Herman (May 16, 2013, Cambridge, Massachusetts)
7. The Body Keeps the Score: An Interview with Bessel van der Kolk (June 17, 2013, Boston, Massachusetts)
8. The Haunted Self: An Interview with Onno van der Hart (July 16, 2013, Amsterdam, The Netherlands)
9. Words and Wounds: An Interview with Geoffrey Hartman (September 11, 1994, New Haven, Connecticut)
10. A Revolutionary Act—The Video Testimonies of the Nia Project: An Interview with Members of the Grady Nia Team (October 2 and 9, 2012, Atlanta, Georgia)
Part III: The System Is Weeping
11. Apocalypse Terminable and Interminable: An Interview with Arthur S. Blank Jr. (January 23, 2013, Washington, DC)
12. Filming Madness: A Conversation with Mieke Bal and Françoise Davoine (November 26, 2011, Vevey, Switzerland)
13. A Ghost in the House of Justice: A Conversation with Shoshana Felman (August 7, 2013, Tel Aviv, Israel)
Index