Reviews
In his thoughtful examinations of plotline, script, the imperatives of fiction, and the architecture of jokes, Hastings Hensel artfully constructs intriguing possibilities in these masterful poems, whose sonic textures are breathtakingly beautiful and whose emotional power is palpable. These skillful and formally accomplished poems invoke the beauties of nature and language alike and celebrate, in the end, the joy, the 'comedy of snags,' and, yes, the humanity that is everywhere present and available to us if we take the time to look.
Hastings Hensel's quickfire mind shines through the wise and wily poems of Ballyhoo. Hensel is a poet attuned to the twists and strains of English, and here he gives us 'new sounds / for the things we've missed.' Humor may be his central subject, but he is less interested in comedy than the forces driving it. He writes brilliantly about those moments when a joke goes sour or reveals its darker heart, but he knows, too, what laughter makes possible: 'forgiveness, / which is release.' This book is a knockout, and one I will read over and over.
Reading Hastings Hensel's Ballyhoo is like uncoiling a hank of yarn. Some threads connect backwards to his first, award-winning poetry collection, Winter Inlet—fraught family, coastal terrain, layered language, rural culture—but there is something new here asserting a strong poetic gravity. Call it topos, logos, mythos, maybe? Something 'deep as the mind's mysteriousness'? I will return to these finely spun poems many times.
In Ballyhoo, Hastings Hensel searches for humor and supplies wit like only the most skillful poets do, in the misery and despair we sometimes find in our everyday lives, in the uncomfortable passivity and vapidity of a world too often humorless, which if approached with Hensel's Feste-like knuckle-knock and lilt can express 'Hallelujah' and 'Ballyhoo' not as occupying mere phonetic kinships but as a rip into dire truth. Ballyhoo is one of the most underhandedly insightful collections I have ever read. Hastings is a coney-catcher, and we are his marks who don't realize after we have left the poems how we have been stripped bare, had our weaknesses exposed.
Book Details
Spoiler Alert
True Story, No Joke
Comedy and the Uncommon Woman
That Laugh You Have, or, A Study in the Via Negativa
Playing Cards with Mark Strand
Plot Summary
Reality as Prank
"Forgive Us Our
Spoiler Alert
True Story, No Joke
Comedy and the Uncommon Woman
That Laugh You Have, or, A Study in the Via Negativa
Playing Cards with Mark Strand
Plot Summary
Reality as Prank
"Forgive Us Our Happiness"
Recovering the Sunk
Docent
Freud in 1939
Mr. Hall
Against Jubilance
What We Need Here Is a New Dialect Noun
Reading the Water
Coaching the Witness
Questions from the Witness
Old Feste, at the Bar, Remembering
On Taste
Forgetting a Flood
Stage Right
Thinking I Wanted Country Humor
At Slack Tide
After Seeing Four Turtles on a Stump in the Waccamaw River
Funny Farm
Scraping Barnacles from the Hull
The Bait Shop Elegies
Pumping the Trout's Stomach
Storyboard
At the Grave of the Fabulous Moolah
The Comedian Questions Her Timing
Counterpunch Lines
Sea Pork
Misfit, Mountain Town
Sad Clown in the Woods, No Hoax
Wanted: The Raccoon on the Dock
True Story, No Joke
Knuckleheads
Ode to a Boat Mechanic
Laughing Gull
Wherever
Hoke
The Funny Pages
Throwbacks
As I Lay Dying Laughing
Any Which Way You Cut It
Nothing Liquid, Fragile, Hazardous, Perishable
To a Seated Harlequin
Acknowledgments
About the Author