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Cover image of Before Queer Theory
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Before Queer Theory

Victorian Aestheticism and the Self

Dustin Friedman

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A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory.

Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community.

Friedman makes the case for a claim rarely...

A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory.

Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community.

Friedman makes the case for a claim rarely articulated in either Victorian or modern culture: that intellectually, creatively, and ethically, being queer can be an advantage not in spite but because of social hostility toward nonnormative desires. Showing how aesthetes—among them Walter Pater, Oscar Wilde, Vernon Lee, and Michael Field—harnessed the force that Georg Wilhelm Friedrich Hegel called "the negative," Friedman reveals how becoming self-aware of one's sexuality through art can be both liberating and affirming of humanity's capacity for subjective autonomy.

Challenging one of the central precepts of modern queer theory—the notion that the heroic subject of Enlightenment thought is merely an effect of discourse and power—Friedman develops a new framework for understanding the relationship between desire and self-determination. He also articulates an innovative, queer notion of subjective autonomy that encourages reflecting critically on one's historical moment and envisioning new modes of seeing, thinking, and living that expand the boundaries of social and intellectual structures. Before Queer Theory is an audacious reimagining that will appeal to scholars with interests in Victorian studies, queer theory, gender and sexuality studies, and art history.

Reviews

Reviews

Friedman meticulously delineates a queer aestheticist tradition distinct from earlier queer theory and anticipates what may become the aesthetic turn of queer theory.

An exciting and original account of late-Victorian aestheticism that joins intellectual history, close reading, and queer theory. Against narratives that emphasize queer fragmentation, marginalization, and social determination, Friedman tells a story in which autonomy and freedom are given center stage. The book's literary sensitivity is matched by its critical acumen; revelatory.

This impressive book, written in compellingly lucid and assured prose, offers a distinctive contribution to the study of both aestheticism and queer theory.

Dustin Friedman writes rigorously and compellingly about the investment of Victorian aestheticism in earlier aesthetic philosophy, especially Hegel and Kant, but also brings that inspiration to the present day with an insightful thesis on the conceptual challenge of aestheticism for recent queer theory. A very smart and readable discussion!

A stunning debut that traces a genealogy of queer aesthetic thought from idealist philosophy to modern queer theory and routes this genealogy through British aestheticism. Focusing on the 'erotic negativity' of Walter Pater, Oscar Wilde, Vernon Lee, and Michael Field, Dustin Friedman shows how queer aesthetes at the fin de siècle asserted a homoeroticized version of Hegelian negativity, one that continues to inspire queer thought today.

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Table of Contents

Acknowledgments
Introduction
1. Homoerotic Subjectivity in Walter Pater's Early Essays
2. Styles of Survival in Pater's Later Writings
3. Oscar Wilde's Lyric Performativity
4. Vernon Lee and the

Acknowledgments
Introduction
1. Homoerotic Subjectivity in Walter Pater's Early Essays
2. Styles of Survival in Pater's Later Writings
3. Oscar Wilde's Lyric Performativity
4. Vernon Lee and the Specter of Lesbian History
5. Queering Indifference in Michael Field's Ekphrastic Poetry
Coda
Notes
Bibliography
Index

Author Bio
Dustin Friedman
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Dustin Friedman

Dustin Friedman is an assistant professor in the Department of Literature at American University.
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