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Master Plots

Race and the Founding of an American Literature, 1787-1845

Jared Gardner

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Selected by Choice Magazine as an Outstanding Academic Title

While it is well known that American writers of the early national period were preoccupied with differentiating their work from European models, Jared Gardner argues that the national literature of the United States was equally motivated by the desire to differentiate white Americans from blacks and Indians. Early American writers were drawn to fantasies of an "American race," and an American literature came to be defined not only by its desire for cultural uniqueness but also by its defense of racial purity. Gardner follows the...

Selected by Choice Magazine as an Outstanding Academic Title

While it is well known that American writers of the early national period were preoccupied with differentiating their work from European models, Jared Gardner argues that the national literature of the United States was equally motivated by the desire to differentiate white Americans from blacks and Indians. Early American writers were drawn to fantasies of an "American race," and an American literature came to be defined not only by its desire for cultural uniqueness but also by its defense of racial purity. Gardner follows the shifts in American narrative's engagement with race, from Royall Tyler's Algerine Captive through the novels of Brockden Brown and Cooper, to Poe's tales and Douglass's autobiographies, narratives that differently sought to rewrite the intersections of racial and national identity the first generation had plotted.

The larger story Master Plots describes is how the racial language of "slavery" and "savagery" helped nationalist writers plot a unique identity for the new nation and the cost this "master plot" exacted when the empty rhetoric of one generation confronted the historical facts of slavery and Native American Removal in the next. The question of what it meant to be an American had lost none of its severity and the desire for an answer none of its urgency. As early nationalist writers wrestled with the question, they proved how hard a question it is to answer and how great are the dangers in scripting its answers too easily.

Reviews

Reviews

Engaging and intriguing.

This insightful volume complements the numerous critical studies that have shown how U.S. authors before the Civil War wished to create a literature different from European models. Gardner persuasively argues that many writers attempted to invent a national identity by defining 'American' in racial terms.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
264
ISBN
9780801865381
Illustration Description
7 b&w illus.
Table of Contents

List of Illustrations
Preface
Chapter 1. The History of White Negroes
Chapter 2. The Prodigal in Chains
Chapter 3. Edgar Huntly's Savage Awakening
Chapter 4. Cooper's Vanishing American Act
Chapter 5. Poe's

List of Illustrations
Preface
Chapter 1. The History of White Negroes
Chapter 2. The Prodigal in Chains
Chapter 3. Edgar Huntly's Savage Awakening
Chapter 4. Cooper's Vanishing American Act
Chapter 5. Poe's "Incredible Adventures and Discoveries Still Farther South"
Chapter 6. Douglass and the Rewriting of American Race
Notes
Bibliography
Index

Author Bio
Featured Contributor

Jared Gardner

Jared Gardner is an assistant professor of English at Ohio State University.