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New York Modern

The Arts and the City

William B. Scott and Peter M. Rutkoff

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Winner of the Outstanding Publication Award from the Ohio Academy of History

Winner of the Book Award from the Ohio Academy of History

New York City's crowded streets and energetic people, its vast population and enormous extremes of wealth and poverty, its towering buildings and technological marvels have marked it as the quintessential modern city since the turn of the century. Artists in particular identified with New York's newness, believing that it embodied the future and celebrated the excitement of the modern urban lives they both witnessed and led. In New York Modern, William B. Scott...

Winner of the Outstanding Publication Award from the Ohio Academy of History

Winner of the Book Award from the Ohio Academy of History

New York City's crowded streets and energetic people, its vast population and enormous extremes of wealth and poverty, its towering buildings and technological marvels have marked it as the quintessential modern city since the turn of the century. Artists in particular identified with New York's newness, believing that it embodied the future and celebrated the excitement of the modern urban lives they both witnessed and led. In New York Modern, William B. Scott and Peter M. Rutkoff explore how the varied features of the urban experience in New York inspired the works of artists such as Isadora Duncan, Alfred Stieglitz, Georgia O'Keeffe, Eugene O'Neill, Duke Ellington, Clifford Odets, Elia Kazan, Miles Davis, John Coltrane, Jackson Pollock, Merce Cunningham, John Cage, Allen Ginsberg, Arthur Miller, James Baldwin, and Diane Arbus, who together shaped twentieth-century American culture.

In painting, sculpture, photography, film, music, dance, theater, and architecture, New York artists redefined what it meant to be "modern." Rooted in the urban realism of Walt Whitman, Thomas Eakins, and Edith Wharton, New York artists combined the revolutionary ideas and styles of European modernism with vernacular images drawn from American commercial, folk, and popular culture in their attempts to respond to the cacophony of voices and blur of images drawn from the city's bars and cafes, tenements and townhouses, skyscrapers and docks.

Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.

Reviews

Reviews

This history is as lively as its subject, clarifying the genealogy of the successive rebellions that marked the unfolding of modernism. It pays particular attention to the contributions of African Americans, helping us see, for example, the link between bebop and Abstract Expressionism.

New York Modern mirrors the bewildering welter of its subject—zigzagging through time to cover the evolution of different neighborhoods... expand[ing] our understanding of the city as the primary muse, site, and subject of 20th-century creative activity. The authors make this argument convincingly, through an accretion of innumerable details.

This is a wonderful survey of the artistic life of a great and complex city. It is like a panorama, a sweeping history of a century of artistic production, of cultural pretension and achievement.

Scott and Rutkoff... distill an enormous range of scholarly work... The authors' clear vision of New York as the center of a plurality of modern arts, particularly after WWII, is bolstered by their minute attention to the social structures and political ideals that undergirded the polis and supported the artistic community. They are particularly astute in their scathing indictment of 1950 and '60s urban renewal, and in their documentation of Harlem's central role in all the arts.

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About

Book Details

Publication Date
Status
Available
Trim Size
7
x
10
Pages
472
ISBN
9780801867934
Illustration Description
61 b&w illus.
Table of Contents

List of Illustrations
Acknowledgments
Introduction
Prologue: Before the Modern: The New York Renaissance
Chapter 1. Times Square: Urban Realism for a New New York
Chapter 2. Paris and New York: From Cubism

List of Illustrations
Acknowledgments
Introduction
Prologue: Before the Modern: The New York Renaissance
Chapter 1. Times Square: Urban Realism for a New New York
Chapter 2. Paris and New York: From Cubism to Dada
Chapter 3. Bohemian Ecstasy: Modern Art and Culture
Chapter 4. New York Modern: Art in the Jazz Age
Chapter 5. Rhapsody in Black: New York Modern in Harlem
Chapter 6. Modernism versus New York Modern: MoMA and the Whitney
Chapter 7. True Believers on Union Square: Politics and Art in the 1930s
Chapter 8. Behind the American Scene: Music, Dance, and the Second Harlem Renaissance
Chapter 9. New York Blues: The Bebop Revolution
Chapter 10. Homage to the Spanish Republic: Abstract Expressionism and the New York Avant-Garde
Chapter 11. Life without Father: Postwar New York Drama
Chapter 12. Renovating the Modern: Monuments and Insurgents
Notes
Index

Author Bios
Featured Contributor

William B. Scott

William B. Scott is professor emeritus of history at Kenyon College. He is a coauthor of New York Modern: The Arts and the City.
Featured Contributor

Peter M. Rutkoff

Peter M. Rutkoff is a professor of American studies at Kenyon College. He is a coauthor of New York Modern: The Arts and the City.