Reviews
Personal Property represents a valuable and insightful contribution to the study of gender, commodity marketing, and aesthetics, and of their complex interplay during the first two decades in the twentieth-century United States.
Stange has successfully brought literary and sociological works of the early twentieth century into dialogue with the White Slave scare—the unsubstantiated fear that white women were being abducted into enslaved prostitution—and used both to understand the relationship between white women and the market and, through that relationship, the ways in which citizenship and political equity are intrinsically gendered.
Personal Property is a bold and provocative study of how the relation between women and property, once subtle and masked in the early nineteenth century, became by 1900 blatant and explicitly exploitative. At once a learned Americanist and an innovative critic, Stange explicates the link between commodity marketing, consumerism, and femininity, in writings ranging from those of Chopin and Gilman to remarkable white slavery melodramas that starkly illustrate the aesthetic and material values placed on white female bodies.