Reviews
In her preface, Backscheider makes high claims for this collection as the fruit of several lifetimes' feminist rereading of 18th-century fiction. These claims turn out to be justified by a truly extraordinary book.
These are valuable essays. Those who are interested in eighteenth-century English women, whether or not they are literary scholars, will find much to interest and stimulate them in this book.
Written to illustrate the maturity of a discipline, the essays in Revising Women demonstrate that women writers used fiction to participate in debates taking place in the public sphere.
The project that has engaged Paula Backscheider, one of the most prolific and prominent scholars in the field of eighteenth-century studies, is one that I believe is both heroic and potentially enduring: to reconcile the sort of thick description she favors—historical-biographical narratives that take full advantage of extant archive material and reveal richly detailed portraits of seventeenth- and eighteenth-century British culture—with the lessons learned and opportunities afforded by recent literary theory.
These essays reinforce the need to reevaluate female authorship of the eighteenth century.
This well-conceived and exciting book brings together experts in feminist theory, all of whom utilize with sophistication the skills of historical research, biographical interpretation (including post-modern issues of the construction of the self), and cultural studies. Their names alone insure a volume well worth reading, and these essays represent the writers at their best. Their methodology often represents advances in the application and understanding of feminist theory, and is of interest to all who follow developments in that field.
Book Details
Chapter 1. The Novel's Gendered Space
Chapter 2. The Rise of Gender as Political Category
Chapter 3. Renegotiating the Gothic
Chapter 4. My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre
Chapter 1. The Novel's Gendered Space
Chapter 2. The Rise of Gender as Political Category
Chapter 3. Renegotiating the Gothic
Chapter 4. My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre-Texts of Belinda: Women Writers and Patriachal Authority
Chapter 5. Jane Austen and the Culture of Circulating Libraries: The Construction of Female Literacy