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Revising Women

Eighteenth-Century "Women's Fiction" and Social Engagement

Paula R. Backscheider

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Revising Women is a collection of essays by a distinguished group of feminist critics. Each essay is a contribution to the history of the English novel, to our understanding of literature's place in cultural debate, and to women's studies. The essays give steady attention to the ways novels participate in social processes and the ways women perceived the public sphere and stubbornly attempted to participate in it. Rich contextualization and adept use of theory reveal both the individual writer's story and the story beneath the text that is a cultural production with the potential to reveal why...

Revising Women is a collection of essays by a distinguished group of feminist critics. Each essay is a contribution to the history of the English novel, to our understanding of literature's place in cultural debate, and to women's studies. The essays give steady attention to the ways novels participate in social processes and the ways women perceived the public sphere and stubbornly attempted to participate in it. Rich contextualization and adept use of theory reveal both the individual writer's story and the story beneath the text that is a cultural production with the potential to reveal why we and our society are as we are. Each essay develops ways of using history in relation to literature, takes up large historical events and issues, and interprets in fine detail what individuals do with them. Beginning with the fictions of the late seventeenth century, and ending with Maria Edgeworth and Jane Austen, the essays in Revising Women are characterized by informed historicizing, detailed textual explication, sophisticated feminist theory, and dedicated attention to the interrelationships between life and literary works and between everyday existence and political processes.

Reviews

Reviews

In her preface, Backscheider makes high claims for this collection as the fruit of several lifetimes' feminist rereading of 18th-century fiction. These claims turn out to be justified by a truly extraordinary book.

These are valuable essays. Those who are interested in eighteenth-century English women, whether or not they are literary scholars, will find much to interest and stimulate them in this book.

Written to illustrate the maturity of a discipline, the essays in Revising Women demonstrate that women writers used fiction to participate in debates taking place in the public sphere.

These essays reinforce the need to reevaluate female authorship of the eighteenth century.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
288
ISBN
9780801870958
Illustration Description
5 line drawings
Table of Contents

Chapter 1. The Novel's Gendered Space
Chapter 2. The Rise of Gender as Political Category
Chapter 3. Renegotiating the Gothic
Chapter 4. My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre

Chapter 1. The Novel's Gendered Space
Chapter 2. The Rise of Gender as Political Category
Chapter 3. Renegotiating the Gothic
Chapter 4. My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre-Texts of Belinda: Women Writers and Patriachal Authority
Chapter 5. Jane Austen and the Culture of Circulating Libraries: The Construction of Female Literacy

Author Bio
Paula R. Backscheider
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Paula R. Backscheider

Paula R. Backscheider is the Philpott-Stevens Eminent Scholar in the Department of English at Auburn University. She is the author of several books, including Daniel Defoe: His Life, Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England, and Reflections on Biography, and editor of Revising Women: Eighteenth-Century "Women's Fiction" and Social Engagement.