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Sublime Desire

History and Post-1960s Fiction

Amy J. Elias

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Co-winner of the Perkins Prize from the Society for the Study of Narrative Literature

Has twentieth-century political violence destroyed faith in historical knowledge? What happens to historical fiction when history is seen as either a form of Western imperialism or a form of postmodern simulation?

In Sublime Desire, Amy Elias examines our changing relationship to history and how fiction since 1960 reflects that change. She contends that postmodernism is a post-traumatic imagination that is pulled between two desires: the political desire to acknowledge the physical violence of twentieth-century...

Co-winner of the Perkins Prize from the Society for the Study of Narrative Literature

Has twentieth-century political violence destroyed faith in historical knowledge? What happens to historical fiction when history is seen as either a form of Western imperialism or a form of postmodern simulation?

In Sublime Desire, Amy Elias examines our changing relationship to history and how fiction since 1960 reflects that change. She contends that postmodernism is a post-traumatic imagination that is pulled between two desires: the political desire to acknowledge the physical violence of twentieth-century history, and the yearning for an escape from that history into a ravishing realm of historical certainty. Torn between these desires, both historical fiction and historiography after 1960 redefine history as the "sublime," a territory beyond lived experience that is both unknowable and seductive. In the face of a failure of Enlightenment ideals about knowledge and the West's own history of violence, post-World War II history becomes a desire for the "secular sacred" sublime—for awe, certainty, and belief.

Sublime Desire is an eloquent melding of theory and practice. Mixing the canonical with the unexpected, Elias analyzes developments in the historical romance genre from Walter Scott's novels to novels written today. She correlates developments in the historical romance to similar changes in historiography and philosophy. Sublime Desire draws engagingly on more than thirty relevant texts, from Tolstoy's War and Peace to Jeanette Winterson's Sexing the Cherry, Charles Johnson's Dreamer, and Charles Frazier's Cold Mountain. But the book also examines theories of postmodern space and time and defines the difference between postmodern and postcolonial historical perspectives. The final chapter draws from trauma theory in Holocaust studies to define how fiction can pose an ethical alternative to aestheticized history while remaining open to pluralism and democratic values. In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.

Reviews

Reviews

Sublime Desire constitutes a major contribution to the growing body of work on contemporary historical fiction... a must for those who wonder about the pervasivenessof history in comtemporary literature.

Elias sets out to deepen our understanding of the ethical and political power of the historical romance, then and now... By the end of the book, however, she gives us much more than a thorough literary history. She gives us an increasingly intense investigation of how we might engage an ethics that resists the modern and the nostalgic.

Fresh perspectives on the relationship between literature and traumatic historical experiences, historical truth and literary imagination, memory and narrative.

These arguments are well stated and clear, and Elias's book is worth consulting.

Elias not only offers a compelling analysis of postwar fiction but also reconciles much existing postmodern theory... Lucidly written, richly textured, and commandingly researched throughout.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
352
ISBN
9780801875434
Illustration Description
2 line drawings
Table of Contents

Contents:
Sublime Desire
Preface: Postmodernism, history and the Metahistorical Romance
The Question of Postmodernism
Chapter 1: Sorting Out Connection: The Historical romance in Hyperreality
The

Contents:
Sublime Desire
Preface: Postmodernism, history and the Metahistorical Romance
The Question of Postmodernism
Chapter 1: Sorting Out Connection: The Historical romance in Hyperreality
The Historical Novel, Historiography, and Romance
The Metahistorical Novel, Romance, and Historiography
Chapter 2: The Metahistorical Romance and the Historical Sublime
Chapter 3: The Improbability of the Real: Spatializing History in Metahistorical
Romances
Spatiality and Postmodernism
Spatiality and Metahistorical Romance
Paratactic vs. Positivistic History
Simultaneous History in Flatland
Chapter 4: Metamodernity: The Postmodern Turn On the Enlightenment
Chapter 5: Western Modernity vs. Postcolonial Metahistory
Chapter 6: Coda: The Sot-Weed Factor and Mason & Dixon
Notes
Works Cited
Appendix: A Listing of Metahistorical Romance

Author Bio