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Cover image of Subversive Pleasures
Cover image of Subversive Pleasures
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Subversive Pleasures

Bakhtin, Cultural Criticism, and Film

Robert Stam

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Subversive Pleasures offers the first extended application of Mikhail Bakhtin's critical methods to film, mass-media, and cultural studies. With extraordinary interdisciplinary and multicultural range, Robert Stam explores issues that include the "translinguistic" critiquw of Saussurean semiotics and Russian formalisn, the question of language difference in the cinema, issues of national culture in Latin America, and "the carnivalesque" in literature and film. He discusses literary works by Rabelais, Shakespeare, and Jarry and treats films by Vigo, Bunuel, Wertmuller, Imamura, Mel Brooks...

Subversive Pleasures offers the first extended application of Mikhail Bakhtin's critical methods to film, mass-media, and cultural studies. With extraordinary interdisciplinary and multicultural range, Robert Stam explores issues that include the "translinguistic" critiquw of Saussurean semiotics and Russian formalisn, the question of language difference in the cinema, issues of national culture in Latin America, and "the carnivalesque" in literature and film. He discusses literary works by Rabelais, Shakespeare, and Jarry and treats films by Vigo, Bunuel, Wertmuller, Imamura, Mel Brooks, Monty Python, Marleen Gooris, and others. Now in Paperback Subversive Pleasuresis a splendidly lucid introduction to the central concepts and analytical methods of Bakhtin and the Bakhtin circle.

Reviews

Reviews

Creatively extends Bakhtin's ideas into such hitherto-neglected spheres as the mass media and film theory... An imaginative and productive addition to the burgeoning literature on Mikhail Bakhtin.

Insightful... In moving from broad theoretical questions to a social pragmatic, Stam manages to focus on issues Bakhtin never addressed, yet the relevant nature of his applicability is made all the more apparent.

About

Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
288
ISBN
9780801845093
Table of Contents

Acknowledgments
Introduction
Chapter 1. Translinguistics and Semiotics
Chapter 2. Language, Difference, and Power
Chapter 3. Film, Literature, and the Carnivalesque
Chapter 4. Of Cannibals and Carnivals
Cha

Acknowledgments
Introduction
Chapter 1. Translinguistics and Semiotics
Chapter 2. Language, Difference, and Power
Chapter 3. Film, Literature, and the Carnivalesque
Chapter 4. Of Cannibals and Carnivals
Chapter 5. The Grotesque Body and Cinematic Eroticism
Chapter 6. From Dialogism to Zelig
Envoi: Bakhtin and Mass-Media Critique
Notes
Index

Author Bio
Featured Contributor

Robert Stam

Robert Stam is professor of cinema studies at New York University. He is the author of The Interrupted Spectacle, Reflexivity in Film and Literature, and New Vocabularies in Film Semiotics, and coauthor of Brazilian Cinema.