Reviews
The essays in this volume are outstanding in their complex representations of writers and writings readers are unlikely to know; their logical and political acuity are incisive.
By insisting that women's experience defines modernity, and by traversing modernist and literary boundaries, the contributors to this excellent volume both recover lost cultural resources and pursue fresh lines of feminist thinking. The essays reach back to Victorian pretexts to modernity, into imperial sites, and through a rich variety of commercial and public discourses. Required reading for scholars of modernism and the modern world.
Book Details
Acknowledgements
Introduction
Part I. Negotiating the Literary Marketplace
Writing a Public Self: Alice Meynell's "Unstable Equilibrium"
Towards a New "Colored "Consciousness: Biracial Identity on Pauline
Acknowledgements
Introduction
Part I. Negotiating the Literary Marketplace
Writing a Public Self: Alice Meynell's "Unstable Equilibrium"
Towards a New "Colored "Consciousness: Biracial Identity on Pauline Hopkins's Fiction
The Authority of Experience: Jane Adams and Hull-House
"This Other Eden": Homoeroticism and the Great War in the Early Poetry of H.D. and Radclyffe Hall
The Heir Apparent: Opal Whiteley and the Female as Child in America
Part II. Outside the Metropolis In-Between Modernity: Toru Dutt (1856–1877) from a Postcolonial Perspective
New Negro Modernity: Worldliness and Interiority in the Novels of Emma Dunham Kelley-Hawkins
Olive Schreiner, South Africa, and the Costs of Modernity
"Tropical Ovaries": Gynecological Degeneration and Lady Arabella's "Female Difficulties"in Bram Stoker's The Lair of the White Worm
Two Talks with Khun Fa
Part III. The Shifting Terrian of Public Life "Stage Business"as Citizenship: Ida B. Wells at the World's Columbian Exposition
Phenomena in Flux: The Aesthetics and Politics of Traveling in Modernity
The New Woman's Appetite for "Riotous Living": Rebecca West, Modernist Feminism, and the Everyday
Djuna Barnes Makes a Specialty of Crime: Violence and the Visual in Her Early Journalism
In Pursuit of an Erogamic Life: Marie Stopes and the Culture of Married Love
Shift Work: Observing Women Observing, 1937–1945
Afterword
Notes on Contributors
Index