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Against Obscenity

Reform and the Politics of Womanhood in America, 1873–1935

Leigh Ann Wheeler

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Radio "shock jocks," Super Bowl entertainment, music videos, and internet spam—all of these topics inspire passionate disagreements about whether and how to regulate sexually explicit material. But even in the midst of heated debate, most people agree that children should be shielded from exposure to pornographic images. Why are children the focal point of debates over sexually explicit material? And how did a culture rooted in Puritanism and Victorianism become saturated with sex?

In Against Obscenity, Leigh Ann Wheeler offers new answers to these questions through a study of women's anti...

Radio "shock jocks," Super Bowl entertainment, music videos, and internet spam—all of these topics inspire passionate disagreements about whether and how to regulate sexually explicit material. But even in the midst of heated debate, most people agree that children should be shielded from exposure to pornographic images. Why are children the focal point of debates over sexually explicit material? And how did a culture rooted in Puritanism and Victorianism become saturated with sex?

In Against Obscenity, Leigh Ann Wheeler offers new answers to these questions through a study of women's anti-obscenity activism from 1873 to 1935. This period saw the emergence of an increasingly sexualized popular culture comprised of burlesque shows, risqué vaudeville acts, and indecent motion pictures. It also witnessed the enfranchisement of women. These momentous cultural and political developments come together in a story about middle- and upper-class women who mobilized against lewd public amusements and, simultaneously, challenged the men whose work as activists, jurors, and even law enforcement officials, had defined and regulated obscenity for several decades.

By the 1920s, women who led the anti-obscenity movement enjoyed the support of millions of American women and the attention of presidents, congressmen, and Hollywood moguls. Today we live in a world profoundly shaped by their work but largely ignorant of their influence. Using primary sources as intimate as private correspondence and as formal as meeting minutes, Against Obscenity tells the story of these all but forgotten women, exploring their passionate disagreements over whether to ban a touring stage show, close a local burlesque theater, disseminate explicit sex education pamphlets, or create a federal agency to regulate Hollywood films. It shows that the rise and fall of women's anti-obscenity leadership shaped American attitudes toward and regulation of sexually explicit material even as it charted a new era in women's politics. In the end, the book argues that essentialist identity politics divided and ultimately disarmed women's anti-obscenity reform, helping us understand the curiously muted impact of woman suffrage. It also cautions against framing debates over sexual material narrowly in terms of harm to children while highlighting the dangers of surrendering discourse about sexuality to the commercial realm.

Reviews

Reviews

What constitutes obscenity is a contentious issue, and Wheeler makes it clear that historically, it has been dangerous ground for feminists... Her analysis is convincing.

Tells the complicated and compelling story of women's meteoric rise to prominence in competing branches of the anti-obscenity movement prior to and immediately following passage of the Nineteenth Amendment, and their arguably more rapid exit from the scene during the late 1920s and early 1930s... A superbly written book.

A welcome addition to the growing historiography of obscenity and censorship. In its solid research, Wheeler’s book is [also] an important addition to the historiography of grassroots struggles over free speech and other rights in twentieth-century America.

In this important book, Leigh Ann Wheeler examines a little-discussed corner of popular culture, women’s campaigns to regulate ‘obscenity’ in the late 1800[s] and early 1900s. Those interested in issues of obscenity and the development of the concept of free speech in the United States will find Wheeler’s work compelling.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
272
ISBN
9780801886386
Illustration Description
14 halftones
Table of Contents

Preface and Acknowledgments
Introduction: Crossing the Great Divide: Women, Politics, and Anti-obscenity Reform
Chapter 1. " "Protect the Innocent!": Men, Women, and Anti-obscenity Reform, 1873 - 1911

Preface and Acknowledgments
Introduction: Crossing the Great Divide: Women, Politics, and Anti-obscenity Reform
Chapter 1. " "Protect the Innocent!": Men, Women, and Anti-obscenity Reform, 1873 - 1911
Chapter 2. Dressing Elsie: Women's Theater Reform, 1912 - 1919
Chapter 3. "Censorship Does Not Protect": Women's Motion Picture Reform, 1919 - 1922
Chapter 4. "Woman vs. Woman": The Leading Ladies of Motion Picture Reform, 1923 - 1930
Chapter 5. "We Don't Want Our Boys and Girls in a Place of That Kind": Women's Burlesque Reform, 1925 - 1934
Chapter 6. "Thinking as a Woman and of Women": Sex Education, Obscenity's Antidote, 1925 - 1934
Chapter 7. "Sinful Girls Lead": Crises in Women's Motion Picture Reform, 1932 - 1934
Chapter 8. "'Catholic Action' is Blazing a Spectacular Trail!": The Collapse of Women's Anti-obscenity Leadership, 1934 - 1935
Conclusion: Anti-obscenity Reform and Women's History
List of Abbreviations
Notes
Notes on Sources
Index

Author Bio
Featured Contributor

Leigh Ann Wheeler, Ph.D.

Leigh Ann Wheeler is an associate professor of history and American Culture Studies at Bowling Green State University.