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Romanticism at the End of History

Jerome Christensen

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The Romantics lived through a turn of the century that, like our own, seemed to mark an end to history as it had long been understood. They faced accelerated change, including unprecedented state power, armies capable of mass destruction, a polyglot imperial system, and a market economy driven by speculation. In Romanticism at the End of History, Jerome Christensen challenges the prevailing belief that the Romantics were reluctant to respond to social injustice. Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the Confes...

The Romantics lived through a turn of the century that, like our own, seemed to mark an end to history as it had long been understood. They faced accelerated change, including unprecedented state power, armies capable of mass destruction, a polyglot imperial system, and a market economy driven by speculation. In Romanticism at the End of History, Jerome Christensen challenges the prevailing belief that the Romantics were reluctant to respond to social injustice. Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the Confessions of De Quincey; and Sir Walter Scott's Waverley, Christensen concludes that during complicated times of war and revolution English Romantic writers were forced to redefine their role as artists.

Reviews

Reviews

Romanticism at the End of History is a book of remarkable wit, verve, and imagination... Frequently spellbinding and often wonderfully suggestive.

Jerome Christensen, sometime pupil of M. H. Abrams but assiduously conversant in all serious emergent critical idioms, has written a brilliant book as timely and intellectually demanding as one would expect.

How, asks Christensen, can one resist commercialist hegemony in the posthistorical world?... This book bravely and passionately asserts the contemporary relevance of the utopian impulse in 'Romantic' writing without falling prey to its ideological posturing.

[Christensen's] formulation of the Romantics is fascinating, bound up with the future of poetry as well as the way in which we should think about their historical significance. This element of the study is tied to Christensen's stirring concern with the uses to which Romantic texts and Romantic thinking can be put in the twenty-first-century university environment.

Romanticism at the End of History provides a refreshingly new discussion of Romanticism that focuses on the use of Romantic texts and Romantic ideas instead of on their critique... His fresh take on the 'color of imagination' provides new insights into the connection between the lives and works of Wordsworth and Coleridge.

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Book Details

Publication Date
Status
Available
Trim Size
6
x
9
Pages
256
ISBN
9780801879036
Illustration Description
2 line drawings
Table of Contents

Acknowledgments
Introduction
Chapter 1. The Romantic Movement at the End of History
Chapter 2. The Color of Imagination and the Office of Romantic Criticism
Chapter 3. Ecce Homo: The End of the French

Acknowledgments
Introduction
Chapter 1. The Romantic Movement at the End of History
Chapter 2. The Color of Imagination and the Office of Romantic Criticism
Chapter 3. Ecce Homo: The End of the French Revolution and the Romantic Reinvention of English Verse
Chapter 4. The Dark Romanticism of the Edinburgh Review
Chapter 5. Romantic Hope: The Maid of Buttermere, the Right to Write, and the Future of Liberalism
Chapter 6. Clerical Liberalism: Walter Scott's World Picture
Chapter 7. Using: Romantic Ethics and Digital Media in the Ruins of the University
Notes
Index

Author Bio
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Jerome Christensen

Jerome Christensen is chair of the English Department at the Univeristy of California, Irvine. He is also the author of Lord Byron's Strength: Romantic Writing and Commercial Society, also available from Johns Hopkins.