Reviews
So much has been written on dreams in literature, so little on the experience of sleep itself. Klinger's fascinating book breaks the mould by placing texts by Proust, Valéry, Kafka, Rilke, and Schnitzler in the context of the sleep science of the early 20th century, as well as the burgeoning drug industry. Paying close attention to language and form, it shows how literary works generated new modes for discussing and understanding sleep. A major contribution to literature and science studies.
Rejecting conventional distinctions between science and culture, Sleep Works proposes that modern sleep was neither lost, nor discovered—it was co-produced by the early twentieth century's drive to experiment, and to experience. By linking phenomena as diverse as Big Pharma's drug marketing to Proustian psychonautics, Klinger sheds new light on how sleep emerged as a key object of modern self-fashioning.
Klinger's book is that rare piece of scholarship that takes up a familiar topic and transforms it into a genuinely new field of inquiry. His incisive analyses introduce us to the poetics of good and bad sleep while showing how literary discourses perform their own sleep experiments.
Book Details
Acknowledgements
Introduction: At the Borders of Consciousness
1. The Science of Sleep
2. White Nights, Brown Pills
3. Dangerously Glamorous
4. Proust's Sleep Experiments
5. Undreaming Kafka
6. Rilke and
Acknowledgements
Introduction: At the Borders of Consciousness
1. The Science of Sleep
2. White Nights, Brown Pills
3. Dangerously Glamorous
4. Proust's Sleep Experiments
5. Undreaming Kafka
6. Rilke and Rest
Conclusion
Works Cited
Notes
Index