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Sleep Works

Experiments in Science and Literature, 1899–1929

Sebastian P. Klinger

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An exploration of sleep at the intersection of literature, science, and pharmacology in the early twentieth century.

At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination.

Scientists, physicians, and pharmaceutical companies...

An exploration of sleep at the intersection of literature, science, and pharmacology in the early twentieth century.

At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination.

Scientists, physicians, and pharmaceutical companies were at the forefront of this newfound fascination with sleep: some researchers distinguished sleep from related states such as fatigue and hypnosis, while others investigated sleep disorders and developed treatments for insomnia. Meanwhile, literary giants like Franz Kafka and Marcel Proust grappled with their own sleep disturbances and channeled these experiences into their writing. Through the lens of their discoveries, Klinger reveals the broader implications of sleep for concepts of selfhood and agency.

Tracing the emergence of interdisciplinary sleep science and the cultural production of sleep through literature, Sleep Works weaves together literary analysis, historical context, and research in the archives of the pharmaceutical industry to provide a comprehensive and compelling account of how sleep has been understood, represented, and experienced in the modern era.

Reviews

Reviews

So much has been written on dreams in literature, so little on the experience of sleep itself. Klinger's fascinating book breaks the mould by placing texts by Proust, Valéry, Kafka, Rilke, and Schnitzler in the context of the sleep science of the early 20th century, as well as the burgeoning drug industry. Paying close attention to language and form, it shows how literary works generated new modes for discussing and understanding sleep. A major contribution to literature and science studies.

Rejecting conventional distinctions between science and culture, Sleep Works proposes that modern sleep was neither lost, nor discovered—it was co-produced by the early twentieth century's drive to experiment, and to experience. By linking phenomena as diverse as Big Pharma's drug marketing to Proustian psychonautics, Klinger sheds new light on how sleep emerged as a key object of modern self-fashioning.

Klinger's book is that rare piece of scholarship that takes up a familiar topic and transforms it into a genuinely new field of inquiry. His incisive analyses introduce us to the poetics of good and bad sleep while showing how literary discourses perform their own sleep experiments.

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Book Details

Release Date
Publication Date
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Trim Size
6
x
9
Pages
256
ISBN
9781421450803
Illustration Description
11 b&w photos, 1 b&w illus
Table of Contents

Acknowledgements
Introduction: At the Borders of Consciousness
1. The Science of Sleep
2. White Nights, Brown Pills
3. Dangerously Glamorous
4. Proust's Sleep Experiments
5. Undreaming Kafka
6. Rilke and

Acknowledgements
Introduction: At the Borders of Consciousness
1. The Science of Sleep
2. White Nights, Brown Pills
3. Dangerously Glamorous
4. Proust's Sleep Experiments
5. Undreaming Kafka
6. Rilke and Rest
Conclusion
Works Cited
Notes
Index

Author Bio
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Sebastian P. Klinger

Sebastian P. Klinger is a researcher and teacher-scholar in the department of German Studies at the University of Vienna, as well as an Honorary Faculty Research Fellow in Modern Languages at the University of Oxford.