Reviews
This provocative and complicated work about sex and self-fashioning sits at the nexus of historical and literary studies... It challenges readers to rethink both traditional literary interpretations and historical understanding.
Ruggiero's intent in Machiavelli in Love is much more than a recasting of Machiavelli: it is to examine self and identity in the Renaissance... One can applaud his insertion of the playful into our sense of the Renaissance.
Add to your reading list Johns Hopkins' study of sex, self, and society.
Innovative in its technique, subtle and revealing in its arguments, and whenever it turns to the theme of sodomy, throws off brilliant light.
Readers of Machiavelli in Love will certainly come away with a feeling for the playfulness of Renaissance sexuality. One of the book's achievements is that it shows the extent to which the literature of high culture had deep roots in everyday experience. Few will ever again doubt the importance of sex in creating Renaissance identity.
Ruggiero provides challenging accounts of public ethics and private morality by analysing a selection of literary and archival material. Armed with humour and determination, he deciphers the subtle codes of Renaissance narratives, and comments on the various ways in which identity and sexuality were constructed, understood and politicised.
This is a veteran historian’s book of literary speculation... It is also, I suspect, a teacher’s book. It favors texts that enliven an English-speaking classroom on Italian history both because they support good lessons and because they bring students into engagement with the Italian past. How better to stir up Anglo-Saxon students, after all, than with tales, tragic or comical, that touch on passion, tenderness, deception, loss, or ribaldry!
Written in the accessible narrative style that Ruggiero’s readers will recognize, the study is a lively investigation that raises a central question about how the construction of self was dependent on sexual reputation.
Ultimately makes a remarkable case for the integration of individual and societal identity within an understanding of the Italian Renaissance.
Having to think creatively and act daringly under changing circumstances, this diaspora presents scholars with a fascinating and complex challenge of probing a spectrum of hybrid, fluid, and shifting identities.
Suggestive new readings of an unusual range of texts.
A book that no one will be able to ignore in historical, gender, and Italian literary studies. Here Ruggiero breaks new ground, especially with his keen eye for connecting fiction with social experience.
Book Details
Acknowledgments
Introduction
1. Of Birds, Figs, and Sexual Identity in the Renaissance, or The Marescalco's Boy Bride
2. Playing with the Devil: The Pleasures and Dangers of Sex and Play
3. The Abbot's
Acknowledgments
Introduction
1. Of Birds, Figs, and Sexual Identity in the Renaissance, or The Marescalco's Boy Bride
2. Playing with the Devil: The Pleasures and Dangers of Sex and Play
3. The Abbot's Concubine: Renaissance Lies, Literature, and Power
4. Brunelleschi's First Masterpiece, or Mean Streets, Familiar Streets, Masculine Spaces, and Identity in Renaissance Florence
5. Machiavelli in Love: The Self-Presentation of an Aging Lover
6. Death and Resurrection and the Regime of Virtù, or Of Princes, Lovers, and Prickly Pears
Afterword: How Machiavelli Put the Devil Back in Hell
Notes
Bibliography
Index