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These poems have depth and richness of observation that repels easy emotion and compel—and reward—repeated reading.
In his eighth book of verse, Wyatt Prunty's low-keyed eloquence conveys an authentic ache that more declamatory poets sometimes miss.
There are vast expanses of ordinary fabric, bejeweled by moments of existential clarity... Prunty holds everyday experience up to the light in such a way that it seems anything but. He has an exquisite hold on life.
A distinct and distinctive voice... best looked at not amongst his peers but in the light of an earlier generation of elegant formalists, from Anthony Hecht, Richard Wilbur, and James Merrill, to the less well-known Edgar Bowers and J. V. Cunningham.
Here is the music of our earth and its creatures—the field, the wren, the farm, the kit, the fawn, the insomniac, the soldier in his coffin, the trapper and the trapped. Individually, each of these poems finds its own ideal shape, its own ideal melody. But what gives this book its final, aching beauty is the closely mortised fit of the poems, one to all others, and the profoundly sane, faithfully tender voice of Wyatt Prunty. The concluding stanza of 'Time's Train' will endure in me forever: 'More fold than tear, so no one going anywhere,/Only seeming to. Rails parallel: time's train./ On the porch his wife sings, brushing her hair./ And everything he's thought he thinks again.'
What an incredibly beautiful piece of work.
The Lover's Guide to Trapping includes a wonderful poem entitled, 'Incident in the Sublime' that distinguishes a human need from mere magnitude. And there is 'Fields,' which begins, 'Furrowed as the heaviest brow yet plain / As our forgetfulness,' or 'Addio del passato,' which beautifully begins, 'The final chord will not end without / Memories of dissonance.' This book brings us once again the poems of a considering mind, which eloquently contemplates both the momentous and the everyday, memorably distinguishing between such things as choice and will, history and myth. A fine new collection.
Wyatt Prunty’s poems give a true sense and picture of American life of the last several decades, especially of life in the South. They are, you might say, exaltations of the ordinary, if we may understand the ordinary as, after all, one of the great and enduring subjects.
Some poets write in a plain style and do it well. Wyatt Prunty does it even better—with wit, with narrative grace, and with modesty. His poems are wise and compassionate. He is a superb poet.
Herein one may find the warmth of domestic subjects and the wit of the metaphysicals.... Wyatt Prunty is clearly a poet for all seasons.
About
Book Details
Publication Date
Status
Available
Trim Size
5.5
x 9
Pages
72
ISBN
9780801892790
Table of Contents
I
Mole
Big Dog, Little Dog
House Wren
Spencerian Hand
Last Century
Stazione Centrale
Incident in the Sublime
The Returning Dead
Circus
Albumen Silver Print from Glass Negative outside Chicago Station, 1887
II
The
I
Mole
Big Dog, Little Dog
House Wren
Spencerian Hand
Last Century
Stazione Centrale
Incident in the Sublime
The Returning Dead
Circus
Albumen Silver Print from Glass Negative outside Chicago Station, 1887
II
The Combine
Insomnias
Prudentius, Seneca, Boethius, etc.
Memory
The Insistent
Time's Train
Matriarchs
Two Views
1950
Fields
Parks
III
Gramercy Park
Marooned
Stray
Lincoln's Tunnel
Addio del passato
Endemic
Late Walks
An Early Guide to Trapping
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