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Cover image of Theatre Journal
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Theatre Journal

Co-Editors :

Laura Edmondson, Dartmouth College and Ariel Nereson, University at Buffalo

Volume:
Volume
76 (2024)
Frequency:
Frequency
Quarterly
Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think...
Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think pieces, and other alternative approaches to knowledge production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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To view the most recent Theatre Journal Author Guidelines, please visit: jhuptheatre.org/theatre-journal/author-guidelines

The Hopkins Press Journals Ethics and Malpractice Statement can be found at the ethics-and-malpractice page.

Peer Review Policy

Theatre Journal is a fully peer-reviewed journal published through Johns Hopkins Press in affiliation with the Association for Theatre in Higher Education (ATHE). We feature original contemporary and historical studies and theoretical inquiries that analyze theatre and performance (6,000-9,000 words) as well as Performance and Book reviews. The work should be original, and we do not accept simultaneous submissions. Theatre Journal publishes two general issues and two special issues per year, in March, June, September, and December, Submissions to general issues are on a rolling basis, and submissions to special issues should respond to the calls for papers.

The review process is as follows:All submissions are read by the Editor and Co-Editor who make the first decision to reject, send back for revise and resubmit, or send out to peer review. Rejections are sent with Editor feedback. Essays are sent to two peer reviewers and the process is anonymous.

Our guidelines for Peer Reviewers are as follows:    

As you prepare your review, please consider the following:

  • How would you characterize the author's argument?
  • Does the author make a substantial enough case for the significance of this essay?
  • What are the major points?
  • What are the strengths of the article?
  • What are its weaknesses?

Theatre Journal seeks to publish the best articles in theatre, dance, and performance studies, essays that are on the cutting edge and that push the field forward.

Given these criteria, what critical revisions would you recommend?

Revisions are reviewed by both Editors who, at that point, make a formal invitation for publication. Authors are usually alerted if the submission is not going to peer review within one to two months. If essays are sent out for peer review, authors can expect to hear back within 4-5 months. Once accepted, essays are usually published.

Editor

Laura Edmondson, Dartmouth College

Co-Editor

Ariel Nereson, University of Buffalo

Performance Review Editor

Gad Guterman, Webster University

Book Review Editor

Gwyneth Shanks, Colby College

Online Editor

Tarryn Li-Min Chun, University of Notre Dame

Associate Editors

Patrick Anderson, University of California, San Diego, 2034
Awo Mana Asiedu, University of Ghana, 2034
Henry Bial, University of Kansas, 2034
Jill Carter, University of Toronto, 2031
Maria José Contreras, Universidad Católica de Chile, 2031
Kate Elswit, Royal Central School of Speech and Drama, 2034
Barbara Fuchs, University of California, Los Angeles, 2034
Helena Grehan, Edith Cowan University, 2034
Paola Hernández, University of Wisconsin, Madison, 2034
Bethany Hughes, University of Michigan, 2034
Suk-Young Kim, University of California, Santa Barbara, 2034
Ric Knowles, University of Guelph, 2025
Michal Kobialka, University of Minnesota, Twin Cities, 2034
Jisha Menon, Stanford University, 2034
Sean Metzger, University of California, Los Angeles, 2034
Noémie Ndiaye, University of Chicago, 2034
Jennifer Parker-Starbuck, Royal Holloway, University of London, 2029
Francesca Royster, DePaul University, 2034
Elizabeth W. Son, Northwestern University, 2034
Joanne Tompkins, University of Queensland, 2027
E. J. Westlake, Ohio State University, 2031
Miseong Woo, Yonsei University, 2031
Patricia Ybarra, Brown University, 2034
Harvey Young, Boston University, 2034

Managing Editor

Aileen Keenan

Assistant Editors

Troy Coleman
Sarah Lewis-Cappellari

Founding Editor

Barnard Hewitt, University of Illinois, Urbana-Champaign

Inquiries concerning performance reviews should be addressed to the Performance Review Editor:

Gad Guterman, Performance Review Editor    
Theatre Journal    
E-mail: tjperformances@athe.org

Inquiries concerning book reviews should be addressed to the Book Review Editor:

Gwyneth Shanks, Book Review Editor    
Theatre Journal    
E-mail: tjbooks@athe.org

Please send book review copies to the contact above. Review copies received by the Johns Hopkins University Press office will be discarded.

Abstracting & Indexing Databases

  • Association for Asian Studies
    • Bibliography of Asian Studies (Online), 1998
  • Clarivate Analytics
    • Arts & Humanities Citation Index
    • Current Contents
    • Web of Science
  • De Gruyter Saur
    • Dietrich's Index Philosophicus
    • IBZ - Internationale Bibliographie der Geistes- und Sozialwissenschaftlichen Zeitschriftenliteratur
    • Internationale Bibliographie der Rezensionen Geistes- und Sozialwissenschaftlicher Literatur
  • EBSCOhost
    • Academic Search Alumni Edition, 3/1/1994-
    • Academic Search Complete, 3/1/1994-
    • Academic Search Elite, 3/1/1994-
    • Academic Search Premier, 3/1/1994-
    • Biography Index: Past and Present (H.W. Wilson), vol.35, 1983-vol.62, no.4, 2010
    • Book Review Digest Plus (H.W. Wilson), Mar.1983-
    • Current Abstracts, 1/1/2000-
    • Education Index Retrospective: 1929-1983, 10/2/1961-5/1/1978
    • Education Source, 10/2/1961-5/1/1978
    • Gender Studies Database, 1/1/1985-
    • Humanities & Social Sciences Index Retrospective: 1907-1984 (H.W. Wilson), 3/1/1955-12/1/1978
    • Humanities Abstracts (H.W. Wilson), 3/1/1983-
    • Humanities Index (Online), 1983/03-
    • Humanities Index Retrospective: 1907-1984 (H.W. Wilson), 3/1/1955-12/1/1978
    • Humanities International Complete, 3/1/1994-
    • Humanities International Index, 3/1/1994-
    • Humanities Source, 3/1/1955-12/1/1978
    • Humanities Source Ultimate, 3/1/1955-12/1/1978
    • International Bibliography of Theatre & Dance with Full Text, 1/1/1982-
    • MasterFILE Complete, 3/1/1994-
    • MasterFILE Elite, 3/1/1994-
    • MasterFILE Premier, 3/1/1994-
    • MLA International Bibliography (Modern Language Association)
    • OmniFile Full Text Mega (H.W. Wilson), 3/1/1983-
    • Poetry & Short Story Reference Center, 3/1/1994-
    • RILM Abstracts of Music Literature (Repertoire International de Litterature Musicale)
    • Russian Academy of Sciences Bibliographies
    • TOC Premier (Table of Contents), 1/1/1995-
    • Women's Studies International, 1/1/1985-
  • Elsevier BV
    • Scopus, 2002-
  • Gale
    • Academic ASAP, 03/1989-
    • Advanced Placement Fine Arts and Music, 10/1980-
    • Book Review Index Plus
    • Gale Academic OneFile, 03/1989-
    • Gale Academic OneFile Select, 03/1989-
    • Gale General OneFile, 03/1989-
    • Gale OneFile: Fine Arts, 10/1980-
    • Gale OneFile: Popular Magazines, 10/1980-
    • InfoTrac Custom, 10/1980-
    • MLA International Bibliography (Modern Language Association)
    • Shakespeare Collection, 10/1980-
  • OCLC
    • ArticleFirst, vol.45, no.1, 1993-vol.63, no.3, 2011
    • Electronic Collections Online, vol.9, no.1, 1996-vol.63, no.3, 2011
    • Humanities Index (Online), 1983/03-
    • Periodical Abstracts, v.41, n.1, 1989-v.62, n.2, 2010
  • Personal Alert (E-mail)
  • ProQuest
    • Arts Premium Collection, 12/1/1966-
    • MLA International Bibliography (Modern Language Association)
    • Music & Performing Arts Collection, 12/01/1966-
    • Performing Arts Periodicals Database, 03/01/1989-
    • Periodicals Index Online, 12/1/1966-10/1/1968
    • Professional ProQuest Central, 03/01/1989-
    • ProQuest 5000, 03/01/1989-
    • ProQuest Central, 03/01/1989-
    • Research Library, 03/01/1989-
    • RILM Abstracts of Music Literature (Repertoire International de Litterature Musicale)

Abstracting & Indexing Sources

  • Children's Book Review Index   (Active)  (Print)
  • Abstracts of English Studies   (Ceased)  (Print)
  • Chicano Index   (Ceased)  (Print)

Source: Ulrichsweb Global Serials Directory.

0.8 (2023)
1.0 (Five-Year Impact Factor)
0.00029 (Eigenfactor™ Score)

Rank in Category (by Journal Impact Factor):
Note: While journals indexed in AHCI and ESCI are receiving a JIF for the first time in June 2023, they will not receive ranks, quartiles, or percentiles until the release of 2023 data in June 2024.
 

© Clarivate Analytics 2024

Published quarterly

Readers include: Scholars and educators in theatre studies and performing arts at over 1,500 colleges and universities; practitioners in the performing arts; general readers interested in the field of drama; all members of the Association for Theatre in Higher Education

Print circulation: 609

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March Issue – January 15

June Issue – April 15

September Issue –July 15

December Issue – October 15

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