Skip to main content
Back to Results
Cover image of Studies in Romanticism
Cover image of Studies in Romanticism
Share this Title:

Studies in Romanticism

Editor :

Adriana Craciun, Boston University

61 (2022-23)
Studies in Romanticism is the flagship journal of Romantic literary studies. Edited at Boston University since its founding there in 1961, SiR has been committed to advancing the study of literature and culture in the dynamic "Romantic Century" of 1750-1850. International in sympathies and interdisciplinary in approaches, SiR publishes the highest caliber scholarship on British, Anglophone, and European Romantic-era studies from diverse methodological perspectives.
Jump to

Journal Details

61 (2022-23)
Print: 0039-3762
Online: 2330-118X

Peer review and submission process

Studies in Romanticism publishes original essays on all aspects of literature and culture of the Romantic century (1750-1850). Upon submission, articles are screened by the editor and managing editor for appropriateness for the journal. Those submissions deemed appropriate then go through a double-blind peer review process. In preparing manuscripts, contributors should consult the Chicago Manual of Style, and specifically the “Notes and Bibliography” section appropriate for scholars in the humanities. Essays should be no more than 9,000 words in length inclusive of notes and bibliography, double-spaced in 12-point type using Times New Roman font, and should not have right justified margins. Footnotes should be at the bottom of the page and kept to a minimum. The first footnote for any source should include a full citation. Subsequent references to primary sources may by cited parenthetically in the text; other references should be cited as abbreviated footnotes. A quick version of the guidelines, with examples, appears online at Contributions must be in English; text quoted in other languages should include an English translation. Please save your manuscript in MS Word (.doc preferred). An abstract of no more than 300 words, headed with the title of the essay and the author’s name, institutional affiliation, and contact information, should be sent as a separate attachment. The author’s name must not be identified anywhere in the essay–neither in the text itself, nor in the footnotes, nor in headers or footers. Any self-citations should be in the third person. Use images only if they are necessary for your argument, and keep the overall number to a maximum of three.

The essay should be emailed as an attachment, along with the abstract, to Jennifer Reed, the managing editor, at rommgr@bu.eduSiR will not consider essays already published or under consideration elsewhere.

The Hopkins Press Journals Ethics and Malpractice Statement can be found at the ethics-and-malpractice page.

Peer Review

Studies in Romanticism publishes original essays on all aspects of literature and culture of the Romantic century (1750–1850). Studies in Romanticism will not consider essays already published or under consideration elsewhere. This includes translations of articles that have previously been published in other languages. We publish book reviews but do not publish informal articles.

Essays are submitted to the managing editor and are evaluated by the editor to determine whether or not they will be sent out for review. Submissions deemed appropriate go through a double-blind peer review process. Readers provide one of the following recommendations: (1) Acceptance, (2) Conditional Acceptance, or (3) Revise and Resubmit, and (4) Rejection. If reader evaluations conflict, the editor makes a final decision, or in some cases sends the essay out to a third reader. In cases where an author has been asked to make minor revisions, the editor alone evaluates the revised essay. If revisions are more significant, the essay may be sent back to one of the initial referees for evaluation. Once the essay has been formally accepted, it enters the publication queue. In the case of Special Issues, we typically solicit one referee for the entire issue. We aim to publish articles within one year of their acceptance.

Romanticism and the Digital Humanities

Landscape and Language: Romantic Travelers in the Celtic Nations

Romanticism and the Digital Humanities

Editor: Jennifer Reed, Boston University
Deadline:March 15th 2023
Essay Length: 9,000 words (full-length essays); 3,000 words (forum contributions)
Review Process: Anonymous peer review
Projected Publication Date: Spring 2024

Studies in Romanticism invites proposals for essays that reflect on how the field of Romantic literature and culture (1750–1850) is changing and being changed by work in the Digital Humanities. This will be an interdisciplinary issue, featuring a wide range of materials and methodologies. We will include full-length scholarly essays (9000 words), as well as shorter pieces (3000 words). The shorter pieces will comprise a forum that addresses how particular archives are being transformed by digitization. We encourage proposals for essays that consider the following topics:

  • Issues of representation in digital library collections
  • Projects that attend to materials outside of the literary or textual (e.g., in art history, history of science, herbaria, museums)
  • Material culture curators’ perspectives on the opportunities and challenges of digitization
  • Digital projects devoted to individual figures or texts
  • Issues of access to digital collections
  • Decolonizing archives
  • Community-engaged or crowd-sourced Digital Humanities work
  • Digital Humanities and Pedagogy/Teaching
  • Issues of labor and resources in the preservation of digital projects
  • Technical advances and debates and how they are changing the field
  • Reactivating archives: how can DH make visible the dynamic nature of collections

Forum contributions will focus on and illuminate particular archives, but may certainly engage with any of the topics listed above.

We invite proposals of between 300 and 500 words by March 15th, submitted to will be notified about acceptance of proposals by April 1st, with final essays due by September 1st, 2023. Contributions by junior scholars are encouraged, as are contributions by librarians, archivists, and material culture curators.


“Landscape and Language: Romantic Travelers in the Celtic Nations”

Editors: Mary-Ann Constantine, Nigel Leask, Finola O’Kane
Proposal Submission Deadline: March 30th
Length of Final Submissions: 9,000 words, or 3–5000 words
Projected Publication Date: Summer 2024

In the last decade or so, critical interest has focused on the home tour of Britain and Ireland, considered in the light of (to name some salient themes), improvement, picturesque aesthetics, gender, “natures in translation,” the European grand tour, and British identities. Yet although the Romantic-era tour of Wales, Scotland, Ireland was strictly speaking ‘domestic,’ the term is problematic when ‘home’ represented a place of multiple, sometimes conflicting identities. The Celtic languages remained largely unintelligible to English, Continental, or urban-based visitors, as well as to those from further afield, participating in the ‘pluricultural’ and multiracial Britain of the long 18th century. That very unintelligibility played its part in how these countries were experienced and described. Michael Cronin criticizes a tendency in recent scholarship to ignore the traveler’s “interlingual” situation, the role of language and translation in giving meaning to people and places encountered. Wordsworth’s demand of the “Solitary Reaper’s” Gaelic song “Will no one tell me what she sings?” underscores the experiences of many Romantic tourists roaming “in a strange land, and far from home.”

As new critiques of Celtic identities have demonstrated, all parts of the archipelago were drawn into, and many profited from, the orbit of British colonial expansion. Nonetheless, at a time of consolidating Britishness, the counter-hegemonic power of the Celtic-speaking cultures often constituted “dangerous histories” (e.g. Ossian, Owen Glyndŵr, Brian Boru) that disrupted larger narratives of British and imperial identity. In this special issue, we seek to explore how those other voices impacted on the growing numbers of tourists and travelers flocking to visit Wales, Scotland, and Ireland—and (since many influential Romantic writers were among them) upon the wider culture of Romanticism.

Since 2014, Mary-Ann Constantine and Nigel Leask have directed the “Curious Travellers” project, focusing on the Scottish and Welsh tours of Thomas Pennant and their legacy in the decades 1760–1820 ( In partnership with Irish landscape historian Finola O’Kane, we now invite contributions for our special issue, taking the multi-lingual nature of the ‘home’ tour as a starting point for a wider engagement, across a range of genres, with Celtic languages and landscapes in the Romantic period.

We invite contributions of either full-length scholarly essays (9000 words), or shorter pieces (3–5000 words) which might focus on specific case studies. Please submit proposals by March 30th, and completed essays by November 15th, 2023. Authors will be contacted by April 30th with a decision about their proposals.

Please send proposals to

Landscape and Language: Romantic Travelers in the Celtic Nations.pdf

Studies in Romanticism
Special Issues Guidelines

SiR welcomes submissions of special issue topics. Successful topics would not be conference proceedings, but they may grow out of an event or collaborative project where authors worked toward a coherent and timely topic of inquiry together and then revised their essays to this end. The special issue editor/s should send a brief, abstract-length description of the topic and names of proposed contributors for initial consideration to the managing editor. If the initial fit seems good, they will be invited to submit a 6-8 page proposal similar to one for an essay collection, with project overview and argument, intended audience and significance, competing volumes/issues, abstracts of each essay, and brief details on contributors.

Special issues should consist of four to six essays of a maximum of 9000 words each including notes and bibliography. The editorial Introduction can be 5000 words maximum, and the total number of images should not exceed 15. Issue editors are responsible for submitting to the managing editor the complete manuscript conforming to the length limits, assuring the references are all according to house style, and including all images and copyright permissions per journal requirements. Special topic issues will be subject to peer review as with all manuscripts.

We also accept proposals for shorter symposia or forums focusing on the impact of a significant current scholarly work or issue within or outside literary studies, with an invited set of responses addressing this text or issue directly (similar to PMLA’s “Theories and Methodologies”). To propose a symposium or forum, follow the same procedures as for proposing a special issue (a brief initial inquiry followed by a more substantive proposal). The symposium format would consist of shorter, more polemical contributions. Interdisciplinary and/or methodologically innovative topics are particularly encouraged.


Adriana Craciun, Boston University

Associate Editor

Joseph Rezek, Boston University

Managing Editor

Jennifer Reed, Boston University

Book Review Editor

Ian Newman, Notre Dame

Advisory Board

Alan Bewell, University of Toronto
David Bromwich, Yale University
Luisa Calè, Birkbeck, University of London
Julie Carlson, University of California, Santa Barbara
Manu Samriti Chander, Rutgers University-Newark
James Chandler, University of Chicago
Linda Colley, Princeton University
Jeffrey N. Cox, University of Colorado, Boulder
James Davies, University of California, Berkeley
Mary Favret, Johns Hopkins University
Michael Gamer, University of Pennsylvania
Kevin Gilmartin, California Institute of Technology
Ian Haywood, University of Roehampton, London
Noah Heringman, University of Missouri
Theresa Kelley, University of Wisconsin-Madison
Jon Klancher, Carnegie Mellon University
Greg Kucich, University of Notre Dame
Nigel Leask, University of Glasgow
Michelle Levy, Simon Fraser University
Peter J. Manning, Stony Brook University
Patricia A. Matthew, Montclair State University
Alan Richardson, Boston College
Charles J. Rzepka, Boston University
Stacey Sloboda, University of Massachusetts, Boston

Emeritus Editors

Kenneth R. Johnston, Indiana University, Bloomington
Jerome J. McGann, University of Virginia
Morton D. Paley, University of California, Berkeley
David Wagenknecht, Boston University

The Book Reviews section provides concise, substantive assessments (approx. 1200-1500 words) of recently published scholarly titles in the field. While attending to all major works of scholarship, including new scholarly editions and essay collections, SiR takes an especial interest in reviewing first monographs and work by younger scholars.

Send all book review correspondence to:
Ian Newman, Notre Dame

Presses should send any review copies to:
Ian Newman
University of Notre Dame
Department of English
233 Decio Hall
Notre Dame Indiana 46556 USA

Please send book review copies to the contact above. Review copies received by the Johns Hopkins University Press office will be discarded.

Abstracting & Indexing Databases

  • Clarivate Analytics
    • Arts & Humanities Citation Index
    • Current Contents
    • Web of Science
  • De Gruyter Saur
    • Dietrich's Index Philosophicus
    • IBZ - Internationale Bibliographie der Geistes- und Sozialwissenschaftlichen Zeitschriftenliteratur
    • Internationale Bibliographie der Rezensionen Geistes- und Sozialwissenschaftlicher Literatur
  • EBSCOhost
    • Academic Search Alumni Edition, 1/1/1995-
    • Academic Search Complete, 1/1/1995-
    • Academic Search Elite, 1/1/1995-
    • Academic Search Premier, 1/1/1995-
    • Art & Architecture Complete, 1/1/1995-
    • Art & Architecture Index, 1/1/1995-
    • Art & Architecture Source, 9/1/1983-
    • Art Abstracts (H.W. Wilson), 1/15/1983-
    • Art Index (H.W. Wilson), 9/1/1983-
    • Biography Index: Past and Present (H.W. Wilson), vol.24, 1985-vol.48, no.2, 2009
    • Book Review Digest Plus (H.W. Wilson), Dec.1983-
    • Current Abstracts, 1/1/2000-
    • Historical Abstracts (Online), 3/1/1962-
    • Humanities & Social Sciences Index Retrospective: 1907-1984 (H.W. Wilson), 10/15/1964-7/15/1983
    • Humanities Abstracts (H.W. Wilson), 9/1/1983-
    • Humanities Index (Online), 1983/12-
    • Humanities Index Retrospective: 1907-1984 (H.W. Wilson), 10/15/1964-7/15/1983
    • Humanities International Complete, 1/1/1995-
    • Humanities International Index, 1/1/1995-
    • Humanities Source, 10/15/1964-
    • Humanities Source Ultimate, 10/15/1964-
    • International Bibliography of Theatre & Dance with Full Text, 6/1/1996-
    • Literary Reference Center Plus, 9/1/1992-
    • MLA International Bibliography (Modern Language Association)
    • OmniFile Full Text Mega (H.W. Wilson), 9/1/1983-
    • OmniFile Full Text Select (H.W. Wilson), 9/1/1983-
    • Poetry & Short Story Reference Center, 9/1/1992-
    • RILM Abstracts of Music Literature (Repertoire International de Litterature Musicale)
    • Russian Academy of Sciences Bibliographies
    • Social Sciences Index Retrospective: 1907-1983 (H.W. Wilson), 1964/09-1973/12
    • TOC Premier (Table of Contents), 1/1/1995-
  • Elsevier BV
    • Scopus, 2002-, 1977, 1964
  • Gale
    • Book Review Index Plus
    • Gale Academic OneFile, 03/1989-
    • Gale Academic OneFile Select, 03/1989-
    • Gale General OneFile, 03/1989-
    • Gale in Context: College
    • Gale in Context: Elementary
    • Gale OneFile: High School Edition, 03/1989-
    • Gale World Scholar: Latin America and the Caribbean, 3/1989-
    • General Reference Center Gold, 03/1989-
    • General Reference Centre International, 3/1989-
    • InfoTrac Custom, 3/1989-
    • MLA International Bibliography (Modern Language Association)
    • Student Resources in Context, 03/1989-
  • Gale In Context: Canada, 03/1989-
  • Gale in Context: High School
  • National Library of Medicine
    • PubMed
  • OCLC
    • ArticleFirst, vol.29, no.1, 1990-vol.49, no.4, 2010
    • Humanities Index (Online), 1983/12-
    • Periodical Abstracts, v.28, n.2, 1989-v.49, n.4, 2010
  • Personal Alert (E-mail)
  • ProQuest
    • Literary Journals Index Full Text
    • MLA International Bibliography (Modern Language Association)
    • Periodicals Index Online
    • Professional ProQuest Central, 07/01/1989-
    • ProQuest 5000, 07/01/1989-
    • ProQuest Central, 07/01/1989-
    • Research Library, 07/01/1989-
    • RILM Abstracts of Music Literature (Repertoire International de Litterature Musicale)
    • The Annual Bibliography of English Language and Literature (ABELL)

Abstracting & Indexing Sources

  • Abstracts of English Studies   (Ceased)  (Print)
  • Index to Book Reviews in the Humanities   (Ceased)  (Print)
  • MLA Abstracts of Articles in Scholarly Journals   (Ceased)  (Print)
  • The Music Index (Print)   (Ceased)  (Print)

Source: Ulrichsweb Global Serials Directory.

Published quarterly

Print circulation: 279

Print Advertising Rates

Full Page: (4.75 x 7.5") – $375.00

Half Page: (4.75 x 3.5") – $281.00

2 Page Spread – $563.00

Print Advertising Deadlines

Spring Issue – Issue 1 – January 15

Summer Issue – Issue 2 – April 15

Fall Issue – Issue 3 – July 15

Winter Issue – Issue 4 – October 15

Online Advertising Rates (per month)

Promotion (400x200 pixels) – $281.00

Online Advertising Deadline

Online advertising reservations are placed on a month-to-month basis.

All online ads are due on the 20th of the month prior to the reservation.

General Advertising Info

For more information on advertising or to place an ad, please visit the Advertising page.  


eTOC (Electronic Table of Contents) alerts can be delivered to your inbox when this or any Hopkins Press journal is published via your ProjectMUSE MyMUSE account. Visit the eTOC instructions page for detailed instructions on setting up your MyMUSE account and alerts.  


Also of Interest

Cover image of ASAP/Journal
Editor-in-Chief :

Elizabeth Ho, University of Hong Kong

Special Issue
Cover image of l'esprit créateur
l'esprit créateur
Editors :

Mária Minich Brewer and Daniel Brewer, University of Minnesota

Cover image of ariel: A Review of International English Literature
ariel: A Review of International English Literature
Editors :

Faye Halpern, University of Calgary; Michael T. Clarke, University of Calgary

Cover image of Dickens Quarterly
Dickens Quarterly
General Editor :

Dominic Rainsford, Aarhus University, Denmark

Cover image of SubStance
Editors :

David F. Bell, Duke University; Pierre Cassou-Noguès, Université Paris VIII; Paul A. Harris, Loyola Marymount University; Eric Méchoulan, Université de Montréal

Cover image of ELH
Senior Editor :

Jeanne-Marie Jackson, Johns Hopkins University

Cover image of The Sewanee Review
The Sewanee Review
Editor :

Adam Ross, The University of the South

Cover image of New Literary History
New Literary History
Editor :

Bruce Holsinger, University of Virginia

Special Issue
Cover image of South Central Review
South Central Review
Editor :

Richard J. Golsan, Texas A&M University

Cover image of MFS: Modern Fiction Studies
MFS: Modern Fiction Studies
Editor :

Robert P. Marzec, Purdue University

Cover image of SEL Studies in English Literature 1500-1900
SEL Studies in English Literature 1500-1900
Publisher and Executive Editor :

Logan D. Browning

Cover image of SubStance
Editors :

David F. Bell, Duke University; Pierre Cassou-Noguès, Université Paris VIII; Paul A. Harris, Loyola Marymount University; Eric Méchoulan, Université de Montréal

Cover image of Victorian Review
Victorian Review
Editor :

Christopher Keep, Western University

Special Issue
Cover image of Diacritics
Editor :

Andrea Bachner, Cornell University

Cover image of Studies in American Fiction
Studies in American Fiction
Editors :

Maria Farland, Fordham University and Duncan Faherty, Queens College and The CUNY Graduate Center

Cover image of Callaloo
Editor :

Charles Henry Rowell

Cover image of The French Review
The French Review
Editor in Chief :

Carine Bourget, University of Arizona

Special Issue
Cover image of Studies in the Novel
Studies in the Novel
Editor :

Dr. Nora Gilbert, University of North Texas

Special Issue
Cover image of MLN
Editors :

Visit the Editorial Board tab for the full list of Editors.