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—publishing material designed to speak to a wide audience of scholars, public intellectuals, and cultural practitioners working across diverse fields, regions, and venues. Now in its sixty-eighth year, MFS is published by Johns Hopkins University Press and is...
—publishing material designed to speak to a wide audience of scholars, public intellectuals, and cultural practitioners working across diverse fields, regions, and venues. Now in its sixty-eighth year, MFS is published by Johns Hopkins University Press and is available online at Project MUSE.
(These guidelines apply to general submission. To submit an essay for a special issue, please see those specific instructions.)
Mfs invites the submission of articles (6,000-9,000 words) offering historical, interdisciplinary, theoretical, and cultural approaches to modern and contemporary narrative. Please visit our online submission system to upload your essay: http://mc.manuscriptcentral.com/mfs
Documentation format should include internal citation, endnotes, and full Works Cited in accordance with the latest edition of the MLA Style Manual. Mfs welcomes the submission of illustrations. Low-resolution images are acceptable for submission, but authors must provide high-resolution images for publication.
Publication is contingent on authors granting exclusive license to Johns Hopkins UP to publish their essays for the Department of English at Purdue University. Authors may subsequently reprint their essays in books that they publish, provided they acknowledge the material's previous publication in Mfs.
Address editorial correspondence to
The Editors
Modern Fiction Studies
Purdue University
Department of English
500 Oval Drive
West Lafayette, IN 47907-2038
Phone: (765) 494-3758
FAX: (765) 494-3780
E-mail: [email protected]
The Hopkins Press Journals Ethics and Malpractice Statement can be found at the ethics-and-malpractice page.
MFS: Modern Fiction Studies publishes original essays of 6,000-9,000 words. We do not permit simultaneous submission. We have initial in-house screening of essays. If we decide not to send an essay out for external review, it will be rejected within a month. Essays we like are sent out to two external readers using the blind review system. After external review, essays are either 1) accepted, 2) accepted contingent on revision, or 3) marked as revise and resubmit. This review takes around 6-9 weeks. If accepted contingent, the author must address concerns of the external reports and send us a revised essay and explain to us how the revised version engages the reader reports. A decision on these essays is then made in house, typically within a week or two of receiving the revision. Authors who are invited to revise and resubmit must also explain how they’ve addressed the readers’ concerns. We send the revised and resubmitted essay out again for external review (often to one or both of the original readers). This may take another 6-9 weeks.
All book reviews are solicited. We do not consider unsolicited reviews.
The special issue is committed to exploring how works of fiction register and configure affects in response to different forms of migration and (post-)migration. As both intimate and impersonal sensations, affects inscribe bodies into the social world of encounter (Seigworth and Gregg). While encounters with the social world are always unpredictable and messy, in the context of (post-)migration they typically unfold under conditions of dependency, precarity, and hierarchical relations. Experiences of displacement, the ambivalences of belonging and nonbelonging, the vulnerabilities arising from racist experiences, and the anxieties linked to both assimilationist demands and repatriation policies exert affective pressures that migrants must navigate and process (Piocos). In fact, many affective patterns that emerge from experiences of migration and (post-)migration are highly ambiguous, raising substantial ethical questions about the forceful undercurrents, obstinacies, and even refusals shaping contemporary societies. Affects sustain relationality but also interrupt it. Approaching migration and (post-)migration from the perspective of affect—the embodied and somatic—therefore provides an opportunity to bring into view the affective demands and tensions that enable and constrain possibilities of social collectivity today.
The special issue foregrounds the productive role of narrative fiction in modeling and generating affects that are capable of intervening critically in dominant affective economies and opening up new modes of expressivity and forms of sociality. Texts by writers such as Abdulrazak Gurnah, Zadie Smith, Viet Thanh Nguyen, Teju Cole, Dinaw Mengestu, Ocean Vuong, Boubacar Boris Diop, Mohamed Mbougar Sarr, Valeria Luiselli, Chimamanda Ngozi Adichie, Emine Sevgi Özdamar, Namwali Serpell, Bernardine Evaristo, and many more use the space of fiction to explore the affective labor that experiences of (post-)migration involve.
By examining the poetics of affect in relation to (post-)migration, the special issue seeks to initiate a conversation about the literary language, forms, grammars, and styles that both register and transform the forces binding some bodies together while keeping others apart. Which affects and affective patterns arise out of migration and (post-)migration and how are they turned into something literary? How is the intersection between affect and race modeled in fiction and how does the articulation of affects navigate sociopolitical pressures and ideologies? What are the political stakes of detachment from hegemonic structures of feeling—and does detachment open up pathways toward liberation and transformation (Yao)? And which affective promises operate as technologies of cultural integration, binding migrants to hegemonic norms (Ahmed)? Finally, how is the engagement with affect and (post-)migration in fiction shaped by the demands and expectations of the contemporary, hyper-commercialized, and Anglocentric book market? While the distinction between affect and emotion has been widely debated in recent scholarship, the issue adopts a broad understanding of affects as physical forces that underpin, accompany, and complicate codified emotions, opening subjects to the pressures of the social.
We invite contributions that focus on the forms and affordances of fiction to foreground the unexpected, inconvenient, and seemingly minor affects that both emerge from and shape experiences of migration and (post-)migration.
Please submit an abstract of 250 words by December 2026 to [email protected]; full essays of 6000–9000 words are due by June 2027. Essays should be formatted according to the latest MLA style manual.
References
Ahmed, Sara. “Happy Objects.” Affect Theory Reader, edited by Melissa Gregg and Gregory J. Seigworth, Duke UP, 2010, pp. 29–51.
Piocos, Carlos M., III. Affect, Narratives and Politics of Southeast Asian Migration. Routledge, 2021.
Seigworth, Gregory J., and Melissa Gregg. “An Inventory of Shimmers.” Affect Theory Reader, edited by Melissa Gregg and Gregory J. Seigworth, Duke UP, 2010, pp. 1–25.
Yao, Xine. Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America. Duke UP, 2021.
In addition to its continuing commitment to publishing the best scholarship on modern and contemporary fiction, MFS is also especially interesting in pursuing topics of current importance to literature and the humanities in general, including:
eTOC (Electronic Table of Contents) alerts can be delivered to your inbox when this or any Hopkins Press journal is published via your ProjectMUSE MyMUSE account. Visit the eTOC instructions page for detailed instructions on setting up your MyMUSE account and alerts.
Robert P. Marzec
Maren Linett
Frida Beckman
Rochel Bergman
Jeeyoung Choi
Emily M. Pearson
Daniel Froid
Magalí Armillas-Tiseyra, Pennsylvania State University
Frida Beckman, Stockholm University
Michael Boyden, University of Fribourg
Debra Rae Cohen, University of South Carolina
Elizabeth DeLoughrey, UCLA
Anne Garland Mahler, University of Virginia
Katharina Gerund, Zürich University
Joseph Keith, Binghamton University
Timothy Melley, Miami University
Kalpana Seshadri, Boston College
Ragini Tharoor Srinivasan, Rice University
Aarthi Vadde, Duke University
Jay Watson, University of Mississippi
Marlo Denice David
John Duvall
Wendy Flory
Sandor Goodhart
Shaun F. D. Hughes
Robert Paul Lamb
Alfred J. López
Jennifer Freeman Marshall
Daniel Morris
Nancy J. Peterson
Arkady Plotnitsky
Aparajita Sagar
Paul Armstrong, Brown University
Michael Awkward, University of Michigan
Herman Beavers, University of Pennsylvania
Michael Bérubé, Pennsylvania State University
Stephen J. Burn, University of Glasgow
Debra Rae Cohen, University of South Carolina
Santanu Das, All Souls College, Oxford
Laura Doyle, University of Massachusetts
Jonathan Eburne, Pennsylvania State University
Anne Fernald, Fordham University
Ellen G. Friedman, College of New Jersey
Scott Herring, Indiana University
Peter Kalliney, University of Kentucky
John T. Matthews, Boston University
Deborah E. McDowell, University of Virginia
Mark McGurl, Stanford University
James McNaughton, University of Alabama
Alan Nadel, University of Kentucky
Kinohi Nishikawa, Princeton University
Stacey Olster, SUNY, Stony Brook
Robert Dale Parker, University of Illinois, Urbana-Champaign
Adam Parkes, University of Georgia
Rajagopalan Radhakrishnan, University of California, Irvine
Judith Roof, Rice University
Michael Rubenstein, SUNY, Stony Brook
Paul Saint-Amour, University of Pennsylvania
Ramón Saldívar, Stanford University
Urmila Seshagiri, University of Tennessee, Knoxville
Anna Snaith, King’s College London
Stephen Hong Sohn, Fordham University
Siobhan Somerville, University of Illinois, Urbana-Champaign
Susan Strehle, SUNY, Binghamton
John J. Su, Marquette University
Phillip Wegner, University of Florida
Send books for review to:
The Editors
Modern Fiction Studies
Purdue University
Department of English
500 Oval Drive
West Lafayette IN 47907-1389
Please send book review copies to the address above. Review copies received by the Johns Hopkins University Press office will be discarded.
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